Lighting

The Woven Crane Lamp

A freestanding floor lamp in which a sculpted wooden form — evoking a crane or bird in mid-movement — suspends a ribbed opal globe shade on a fine cord from its arched tip. The base is two splayed wooden legs meeting at a pivot point. The result is as much sculpture as light source. Use 031 (white background) as the primary product image; 028 for room context and scale. Frame: Sculpted solid wood — crane form Shade: Ribbed opal globe — warm diffused output Base: Two-leg splayed wood structure Best for: Living room, studio, reading corner, statement position Order as: Single unit

The Woven Disc Lamp

A circular woven-texture glass disc is mounted flat on a slender brass stem rising from a shallow brass dish base. The disc glows around its full edge and through its layered surface texture when lit. Use 026 as the primary product image showing both sizes together; use 027 as the detail/texture close-up. Shares the same signature woven glass element as the Woven Disc Sconce in the wall lights collection — the two pieces work as a composed scheme. Disc: Woven texture clear glass — horizontal orientation Stem and base: Brushed brass Sizes: Large and Standard — both shown in 026 Best for: Dining table, sideboard, coffee table, bedside Order as: Single | matching pair | mixed sizes

The Smoked Dome Lamp

A smoked glass dome sits on a brass collar atop a white marble disc base. A central crystal column element glows from within, visible through the tinted glass. Two proportions: the Wide Dome (024) is broad and low — more object than lamp; the Bell Dome (025) is taller and more upright. Both share the same base and the same quality of cool, sophisticated light through smoked glass. Dome: Smoked grey glass — Wide (024) or Bell (025) — specify Base: White marble disc with brass collar Centre element: Illuminated crystal column Best for: Sideboard, console, bedside, desk Order as: Single | both proportions as a composed pair

The Walnut Shelf Lamp

A floor lamp of genuine sculptural ambition. The walnut body forms a tall arched spine from which an integrated side shelf projects at mid-height — functional and decorative simultaneously. The base is a slender black tripod. A wide linen drum shade crowns the piece, emitting a broad, warm spread of ambient light. Both images show the same lamp — 017 in a dark atmospheric room, 019 in a daylit setting. Use 019 as the primary product image; 017 for mood. Body: Solid walnut — arched form with integrated shelf Shade: Wide linen drum — warm diffused output Base: Black metal tripod Best for: Living room, reading corner, beside an armchair Order as: Single unit

The Framed Globe Lamp

A rounded rectangular frame sits on a circular base, cradling a glass globe at its foot. The frame reads as both a structural element and a design detail — a picture frame around a globe of light. Two editions: the Brass edition (007) features a brass frame with a bubble-texture clear glass globe; the Black edition (008) features a matte black frame with a woven-texture amber globe. Both are offered in two sizes shown side by side. Editions: Brass frame / bubble glass | Black frame / woven amber glass Sizes: Standard and Large — both shown in each image Best for: Bedside, console table, sideboard, dressing room Order as: Single | matching pair | both editions together

The Gilded Ellipse

An elongated oval frame in matte black, its upper arc wrapped entirely in hand-wound natural gold cord and its lower arc suspending a dense, evenly spaced row of slender clear glass tubes — each tube catching the internal LED light along its full length and releasing it downward as a soft, precise line. The contrast between materials is the defining quality: the warmth and irregularity of hand-wound artisan cord against the precision of uniform glass, matte black metalwork holding both in tension. The oval geometry gives the fitting a directional quality — it has a length and a centre, a front and a back — making it inherently suited to a dining table or island that it runs above and belongs to. Available in any size and shape. What makes it special: The hand-wound cord is applied by hand — no two fittings are identical; the winding carries the character of the maker The glass tube fringe and the cord wrap occupy the same object but speak entirely different material languages — the tension between them is the design The oval form is neither ring nor rectangle — it has the softness of a curve and the intention of a linear fitting simultaneously Perfect for: Long dining tables in interiors that mix natural materials with architectural precision Spaces where warmth and craft are as important as form Rooms with rattan, linen, stone, or timber alongside darker architectural elements Oval dimensions, tube density, cord colour, and suspension height specified to your table and ceiling.

The Slender Lumière

A horizontal linear pendant formed from two parallel elements held in precise tension: a dark gunmetal rod and a faceted crystal glass tube of the same length, locked together at intervals by dark metal collar rings. The crystal tube carries the internal LED, its faceted surface distributing the light along the full length. The end caps are cut like precious stone — multi-faceted, prismatic, visible from across the room as two points of concentrated brilliance at each terminus. What makes it special: The pairing of gunmetal rod and crystal tube within a single form creates a material conversation — industrial precision against optical glass, dark against light The faceted end caps are the signature detail — cut with the same discipline as a gemstone, they announce the quality of the fitting from the moment you enter the room The collar rings are visible and intentional — engineering made decorative Perfect for: Long dining tables in contemporary or dark-palette interiors Spaces where a linear fitting runs the length of a kitchen island or bar counter Interiors where the design language values craft within restraint Rod length, crystal tube profile, collar spacing, and suspension height specified to your table and ceiling.

The Crystal Sceptre

A large-format oval ring, fully draped in cut crystal — thousands of individual faceted drops layered in concentric rows across the ring body, with further drops hanging freely from the lower edge like a fringe. The LED concealed within the ring frame illuminates the crystal mass from inside, each facet catching and redirecting light outward into the room as a continuous scatter of brilliance. The effect in darkness is total: the ring appears to generate its own atmosphere, the crystal drops producing a galaxy of refracted light points across every surface of the room. What makes it special: The layered crystal covering is not a surface treatment but the primary material — no metal frame is visible; the chandelier is entirely crystal The fringe of hanging drops along the lower edge moves imperceptibly with air currents, giving the installation a living, shifting quality Available at any scale — from an intimate dining oval of 100cm to a ballroom installation of 300cm or more Perfect for: Grand dining rooms, hotel ballrooms, and staircase voids Classical, Baroque, or transitional interiors where opulence is the brief Any space where the chandelier is required to define the entire room Ring dimensions, crystal depth, fringe length, and drop height specified to your space.

The Mercure

Smoke-bronze and clear glass spheres suspended individually on fine cables at dramatically staggered heights — each globe formed with concentric internal ribbing that wraps the glass in a series of horizontal rings, like the latitude lines of a planet. The installation mixes two finishes: a deep tobacco-smoke glass that absorbs light and concentrates it into a warm amber core, and a clear crystal that broadcasts it outward in all directions. What makes it special: The two-finish mix — smoke and clear — creates depth within a single installation; no two spheres read identically even in the same light conditions The internal concentric ribbing functions as a lens, multiplying the single LED point source into a layered sequence of rings visible through the glass The scale is entirely variable — from a composed cluster of twelve above a dining table to a ceiling-spanning installation of eighty or more Perfect for: Hotel lobbies, bars, and hospitality spaces with high ceilings Residential entrance halls and double-height open-plan spaces Interiors with dark, moody palettes where the amber-smoke glass creates warmth at scale Sphere count, size mix, finish ratio, drop range, and canopy footprint specified to your ceiling and space.

The Cosmos

A cascade of ribbed clear glass spheres and biconical diamond forms — some the size of an orange, others the size of a closed fist — suspended individually on fine cables at staggered heights from a single ceiling canopy, forming a composition that expands outward as it descends. Each form is cut with horizontal ribbing that wraps the glass in fine parallel rings, multiplying the LED source within into a matrix of refracted glints. What makes it special: The ribbed glass surface is not applied decoration but a structural element of the form — the ribs are the glass wall itself, giving each pendant both weight and optical complexity The extended drop range gives the installation a volumetric quality appropriate for spaces of significant height Perfect for: Hotel lobbies, stairwells, and grand entrance halls Double-height private dining or living rooms Spaces where the ceiling itself is the canvas Pendant count, form mix (sphere, diamond, or combined), drop range, and canopy footprint specified to your space.

The Artisan Weave

Three stacked tiers of hand-woven natural fibre drum shades — each tier fractionally wider than the one above — create a silhouette that sits between traditional shade form and contemporary pendant sculpture. The weave is deliberately open: a loose criss-cross lattice that is not a shade in the conventional sense but a filter, allowing the cluster of exposed candle-style bulbs within to glow through the gaps in the fibre. What makes it special: The open weave is load-bearing but not structural in appearance — the natural fibre gives the impression of something gathered, not engineered Multiple exposed bulbs visible through the weave at different depths create a layered quality of light that a solid shade cannot replicate Perfect for: Dining rooms with natural or organic material palettes Open-plan spaces where warmth and texture anchor a zone Interiors with rattan, linen, stone, or timber as primary materials Tier count, tier diameter, and drop length specified to your room dimensions.

The Halo

Three configurations within a single architectural family. The first: a clean matte-black LED ring in three diameters, installed singly or as a staggered trio, the frosted acrylic diffuser delivering a precise band of ambient light. The second scales this ring language into a nested concentric composition — multiple diameters suspended concentrically to produce a deep, orbital installation with a planetary, gravitational quality. The third shifts to an elongated oval frame: the upper edge wrapped in hand-wound gold cord, the lower edge suspending a row of slender clear glass tubes that catch light along their length. All three share the same architectural precision; each creates a fundamentally different atmosphere. What makes it special: The nested concentric configuration — five rings of increasing diameter hung at the same height — creates a shifting perspective illusion as you move around it The oval tube variant bridges minimalism and material warmth, pairing the geometry of a black metal frame with artisan gold cord and hanging glass All three configurations scale to the room — diameter, drop length, and ring count are not fixed Perfect for: Stairwells and double-height halls Dining tables where a linear or oval form runs the table's length Architectural spaces that need a lighting centrepiece at scale Ring diameter, configuration variant, and drop length specified to your space